|
|
|
|
|
|
|
|
|
|
|
#
2 - Donnie Darko (2001) |
|
|
Maggie
Gyllenhaal, Peter Sarsgaard Expecting BabyMaggie Gyllenhaal and Peter Sarsgaard are engaged and expecting a baby, reps for both the actors tell PEOPLE exclusively. The couple have been together for more than four years. They costarred in 2003's In God's Hands, a low-budget feature produced by Steven Soderbergh that was never released. Gyllenhaal, 28, has appeared in more than 20 films, including Secretary, Mona Lisa Smile and Donnie Darko, which starred her brother, Jake Gyllenhaal. Sarsgaard, 35, has also shared the screen with his fiancée's brother – in last year's war film Jarhead. Sarsgaard's résumé includes Boys Don't Cry, Kinsey and Shattered Glass, for which he earned a Golden Globe nomination in 2004. This will be the first marriage and first child for both actors - posted by Ally - credits: People.Com - |
|
|
|
***MINOR SPOILERS**** The last truly exceptional hunt-for-a-serial-killer movie was David Fincher's Se7en. And the next one, I'm fairly convinced, is going to be Fincher's Zodiac (Paramount, 11.10). I'm basing this on a recent read of James Vanderbilt's script, which runs 150-plus pages. This persuades me that what I heard last week is true: Zodiac is going to be a three-hour movie, or close to it. Scripts never really tell you that much, but reading Zodiac planted an idea that Fincher is again pushing the thriller boundary. Not just in the tradition of Se7en but also Alan Parker's Angel Heart, another chasing-a-monster film that ended with something pretty startling. Zodiac is based on two best-sellers by Robert Graysmith, "Zodiac" and "Zodiac Unmasked: The Identity of America's Most Elusive Serial Killer Revealed", which are first-hand accounts about the hunt for the Zodiac killer who terrified the San Francisco area in 1968 and '69. The chief Zodiac hunters in Fincher's film (as they were in actual life) are Gray- smith, a San Francisco Chronicle cartoonist at the time (Jake Gyllenhaal), and a blunt-spoken, never-say-die San Francisco detective named Dave Toschi (Mark Ruffalo). Toschi is understood to have been the real-life model that Steve McQueen based his tough-nut San Francisco detective on in the 1968 Peter Yates film Bullitt. And of course, the Zodiac killer was the model for Andy Robinson's psycho killer in Dirty Harry , the 1971 Don Siegel-Clint Eastwood classic...right down to the Zodiac claim about wanting to kill a busload of school children. Zodiac is partly about the thrill and fascination of the hunt (the scores of hints and clues that pile up are more and more fascinating as the story moves along), and partly about how the complex, seemingly never-ending nature of the case makes Graysmith and Toschi start to go a bit nuts. Is there such a thing as being too determined to stop evil? At what point do you ease up and say, "I've done all I can." Is it always essential to finish what you've started? Should never-say-die always be the motto, even at great personal cost? Zodiac isn't just about sleuthing. Deep down I think it's a metaphor piece about obsessions wherever you find them, and how the never-quit theme applies to heavily-driven creative types (novelists, painters, architects, musicians) as much as cops or cartoonists or stamp collectors or baseball-card traders. Zodiac and Se7en have at least a couple of things in common: both are heavily focused on the bottled-up emotions and personal frustrations of their two main protagonists, and both films end on a note in which the "crime doesn't pay" motto doesn't exactly ring out from the belltower. Let's just say it: these are two catch-the-bad-guy movies in which the good guys try like hell, but they can't quite manage to be McQueen or Eastwood in the end. Partly because the up-and-down life of a cop generally isn't that heroic or simple. And because Fincher would probably have trouble staying awake if somebody forced him to direct a Bullitt or a Dirty Harry. Fincher and screenwriter Andrew Kevin Walker ended Se7en with a mind-blowing twist in which the killer won and the good guys lost, and in such a way that the final fate of the killer didn't matter as much as the fact that his vision (which had a certain moral foundation) ended up being fulfilled. The more I think about Se7en, the more certain I am that it was and is a truly brilliant cop thriller. Not just in the way the story was put together and paid off, but because it echoed a certain clouds-are-forming, it's-all-starting-to-rot-from-within attitude...a kind of geiger-counter reading of the despair in the air in 1994 and '95, when Se7en was made and released. I attended a Writers Guild event last night that celebrated the 101 Greatest Screenplays ever written, and bless their hearts but the WGA voters were blind as bats for not including Se7en. I'm not going to spill the Zodiac finale in any detail, but anyone who's read even a little bit about the the hunt for the Zodiac killer knows the culprit was never charged or convicted, although his more ardent pursuers were convinced that he was a pudgy alcoholic and an ex-school teacher named Arthur Leigh Allen, who died in 1992. The script uses a substitute name instead of Allen's. It wouldn't be that big of a deal to mention it, but I'm trying to go lightly here. Graysmith is the best part Gyllenhaal has ever had, and I'm including Jack Twist in this equation. If he does it right he'll generate a lot of heat for himself, and I can't see how he wouldn't. Graysmith is a very strongly written guy with a lot of struggle and frustration inside, and the pressure on him just builds and builds. The coup de grace comes at the end when Graysmith delivers a spellbinding 12-page oratory that ties up all the loose ends. (I was reminded of Simon Oakland's this-is-what-actually-happened speech at the end of Psycho.) Robert Downey, Jr. has several good scenes as a Chronicle reporter named Avery. It seems at first as if he'll be a prominent costar along with Gyllenhaal and Ruffalo, but nope. Anthony Edwards, as Toschi's partner, has a smaller role than Downey. Dermot Mulroney, Chloe
Sevigny, Ione Skye, Donal Logue and Brian Cox have supporting roles. The
IMDB says Cox plays famed San Francisco attorney Melvin Belli, but my script
doesn't even have Belli in it. |
|
|
|
|
|
|
Wal-mart
Won't Quit "Brokeback"By Josh Grossberg Brokeback Mountain just rode into Red State terrority. Wal-Mart has begun selling the DVD of Ang Lee's gay cowboy flick this week, despite vehement protests from the ultraconservative American Family Association. The world's largest retailer announced it will not only carry the Academy Award-winning film in all 3,900 U.S. locations, but the chain will also prominently display posters of Brokeback stars Jake Gyllenhaal and Heath Ledger in its storefronts. Such a decision has prompted the Tupelo, Mississippi-based AFA to launch a campaign accusing Wal-Mart of backing a pro-gay agenda. The organization posted a message on its Website asking "concerned Christians to let their local Wal-Mart managers know how they feel and that they are not pleased over the chain's decision to promote and carry the pro-homosexual movie." "It wasn't even a blockbuster movie, so if Wal-Mart isn't trying to push an agenda, why would they put it at the front door?" Randy Sharp, director of special projects for the association, told the Los Angeles Times. Apparently Sharp didn't get the memo that Brokeback was the most critically lauded film of 2005, won three Oscars, lassoed $83 million at the box office and became a cultural touchstone "Wal-Mart is trying to help normalize homosexuality in society," Sharp said. "But how many copies are they going to have to sell to recruit the losses of customers who they've offended and will no longer shop at Wal-Mart?" But Wal-Mart rejects that characterization. A rep for the company argued that stocking Brokeback is good business. "Wal-Mart provides movie selections in our stores and online, recognizing that a broad segment of our customer base wants to buy the latest titles," company spokeswoman Jolanda Stewart said in a statement. "We serve a broad customer base and therefore offer an expansive assortment of movie titles to meet the needs of the diverse consumers that shop our stores." The American Family Association, which claims a membership of 3 million and is one of the leading conservative Christian watchdogs, has a history of pressuring Wal-Mart. And the retail chain has often been more than accommodating, refusing to carry funnyman George Carlin's bestseller When Will Jesus Bring the Porkchops? and canceling orders of Daily Show host Jon Stewart's America because both included supposedly offensive images that weren't in line with the chain's family-friendly policies. Wal-Mart has also pulled numerous magazines from its racks deemed too racy by the AFA and doesn't stock CDs and videogames that feature "mature" content. Last month, the AFA issued an action alert against Ford, urging its members to boycott the car company because the car maker wanted to advertise in gay publications such as The Advocate. Fighting against the American Family Association's anti-Brokeback initiative, the pro-gay Ultimate Brokeback Forum recently announced a Web-based campaign to place the Brokeback DVDs in 2,000 rural libraries in the U.S. and Canada, and has called on fans around the world to donate copies of the DVD to libraries in their area. Members of the online forum also ran an ad in the Mar. 10 edition of Daily Variety, hailing Brokeback as a work that's "transforming people's lives." They can now add Wal-Mart to their thank-you list. In keeping with its founder's vision of offering quality products at great prices, Wal-Mart--one of America's largest DVD retailers--is offering Brokeback at the bargain rate of $16.87.
|
|
|
|
The top ten hottest men alive as voted by ninemsn readers are as follows: 1. Johnny Depp
|