SEPTEMBER 26th  2005

BROKEBACK MOUNTAIN SOUNDTRACK SONGS
 
(Released October 25th 2005)


The Cowboy's Lament

Traditional

Water Walking Jesus
Written by James McMurtry, Stephen Bruton and Annie Proulx

Jukebox
Written and Performed by Ken Strange, Randall Pugh and Ron Guffnett
Courtesy of Sourcerer

Trust in Lies
Written by Rick Garcia and Craig Eastman
Performed by The Raven Shadows featuring Tim Ferguson

Battle Hymn of the Republic
Traditional

I Won't Let You Go
Written, Produced and Performed by Gustavo Santaolalla

No One's Gonna Love You Like Me
Written and Produced by Gustavo Santaolalla
Performed by Mary McBride

All Night Blues
Written by Rick Garcia and Craig Eastman
Performed by The Raven Shadows

I Love Doing Texas With You
Written by Tom Wesselmann
Performed by Kevin Trainor
Courtesy of ACM Records

King of the Road
Written by Roger Miller
Performed by Roger Miller
Courtesy of Tree Productions

A Love That Will Never Grow Old
Written by Gustavo Santaolalla and Bernie Taupin
Performed by Emmylou Harris
Emmylou Harris appears courtesy of Nonesuch Records

Quizas, Quizas, Quizas
Written by Osvaldo Farres
Produced by Gustavo Santaolalla
Performed by Rick Garcia

Capriccio Espangnol Op 34
Composed by Nikolaj Rimsky-Korsakov
Arranged by Jim Long
Performed by Philharmonia Slavonica
Courtesy of Point Classics LLC

Mason Dixon Line
Written by Jeff Wilson
Performed by Jeff Wilson
Courtesy of Marc Ferrari/Mastersource

Devil's Right Hand
Written by Steve Earle
Performed by Steve Earle

It's So Easy
Written by Buddy Holly
Performed by Linda Ronstadt
Courtesy of Elektra Entertainment Group
By arrangement with Warner Strategic Marketing

Angel Went Up in Flames
Written, Produced and Performed by Gustavo Santaolalla

I Don't Want to Say Goodbye
Written and Produced by Gustavo Santaolalla
Performed by Teddy Thompson
Teddy Thompson appears courtesy of Verve Forecast

D-I-V-O-R-C-E
Performed by Tammy Wynette
Courtesy of Epic Records
By arrangement with Sony BMG Music

Melissa
Written by Stephen Alaimo and Gregg Allman
Performed by The Allman Brothers
Courtesy of Island Def Jam Music Group
Under license from Universal Music Enterprises

I'll Be Gone
Written and Performed by Terry Gadsden and Fred Kinck-Petersen
Courtesy of DeWolfe Music

I'm Always on a Mountain When I Fall
Written by Merle Haggard
Performed by Merle Haggard
Courtesy of Tree Productions

Eyes of Green

Written by Jeff Wilson
Performed by Jeff Wilson
Courtesy of Marc Ferrari/Mastersource

He Was a Friend of Mine
Written by Bob Dylan
Produced by Larry Campbell and Gustavo Santaolalla
Performed by Willie Nelson
Willie Nelson appears courtesy of DreamWorks Records Nashville

Maker Makes
Written by Rufus Wainwright
Performed by Rufus Wainwright
Courtesy of Universal Records
Under license from Universal Music Enterprises


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posted by Ally 
- credits: Wranglers

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 SEPTEMBER 21st  2005

Gyllenhaal, McAdams join Hollywood fest honorees

LOS ANGELES (Hollywood Reporter) - Actors Jake Gyllenhaal and Rachel McAdams, and "Crash" director Paul Haggis have been added to the roster of filmmakers to be honored by the Hollywood Film Festival next month.

Gyllenhaal, in theaters with "Proof" and the upcoming "Brokeback Mountain" and "Jarhead," will receive the Hollywood Breakthrough Actor of the Year Award, during the event's Hollywood Awards Gala Ceremony October 24 at the Beverly Hilton.

McAdams, named Hollywood Breakthrough Actress of the Year, appeared this summer in "Wedding Crashers" and "Red Eye."

Haggis will be recognized as Hollywood Breakthrough Director of the Year for his work on "Crash." He next directs "Honeymoon With Harry."

Reuters/Hollywood Reporter

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posted by Ally 
- credits: Yahoo! News

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 SEPTEMBER 19th  20052A2A31

Behind blue eyes
Gyllenhaal's looking for love in all sorts of places

Playing math geek, cowboy, the young actor matures
RICHARD OUZOUNIAN
ENTERTAINMENT REPORTER


The eyes have it.

Ask the multitudes of women and men of all ages who pronounce Jake Gyllenhaal their "dream boyfriend" and they'd probably cite those incredible blue orbs as the initial reason. But sitting in a Toronto hotel room with him earlier this week, it soon becomes obvious that he's got other major virtues: warmth, intelligence, sensitivity and depth.

All those qualities are also on display in the two movies he had opening during the Toronto International Film Festival, which ends today: Brokeback Mountain and Proof.

In one of them, he plays a young cowboy who falls in love with another loner just like himself, and in the other, he's a university math geek who finds himself smitten with the disturbed but brilliant daughter of his former disturbed but brilliant mentor. The fact that the objects of his affection in these two stories are played by Heath Ledger and Gwyneth Paltrow is another indication of how different these roles may seem, at least on the surface.

But to Gyllenhaal, "The most important thing is that they're both about love."

"You know," he says with a melting smile, "falling in love is like winning the lottery. But what draws two people to each other? What creates that chemistry? It's unexplainable."

He swigs thirstily from a bottle of water as he thinks about it further.

"I know there are times when it's bigger than you," he says.

"Maybe it's written in the stars."

But then instantly he waves his hand, mocking that notion. "I'm not the biggest proponent of destiny. I think you make your own. Who knows how we all end up and who we end up with? I'm not one to say."

The 24-year-old, who made his film debut at 11 as Billy Crystal's son in City Slickers and broke through to cult stardom at 21 in the title role of Donnie Darko, has been linked romantically with a wide assortment of young women, most notably Kirsten Dunst.

Their on-again, off-again love affair has recently had tabloids reporting that they're expecting a child, while others linked Gyllenhaal (however fleetingly) with the likes of Lindsay Lohan and Mischa Barton.

He tiptoes gently around the issue.

"I believe there are many people you can truly love in your life. Well, maybe not many, but definitely more than one. That's what's so interesting about relationships.

"What comes to you out of nowhere is the feeling. Then you choose whether or not you want to hold on to it. I feel that choosing is deep love and it's a huge commitment."

He steers the topic back to the difference between the two love affairs he's lived on-screen in Toronto this past week.

He describes the union of the men in the western world of Brokeback Mountain as "the meeting of two people who are so lonely and share that loneliness in common above all else. They never knew how much they needed someone until they met and then it changed their lives forever."

The mathematical milieu of Proof, on the other hand, demonstrates to his character Hal "the real struggle between needing something logical, something which really makes sense, a kind of equation for love. Of course, there is no proof for love and that's what he finally has to learn."

There's a silence as Gyllenhaal tugs at the sleeve of his white cotton shirt. When he speaks again, his voice is a bit unsteady. "I've just recently experienced a loss in my life and it made me realize that the feelings I thought I was supposed to feel are not the feelings I really felt." He pauses. "Well, some of them are, some of them aren't.

"There's a tremendous sense of relief along with a tremendous sense of grief. A sense of possibility along with a huge sense of regret."

He moves closer to share his discovery, but when asked about the nature of his recent loss, Gyllenhaal demurs. "I've come to realize that all the feelings are okay. There's not just one feeling that you're supposed to feel."

Gyllenhaal connects the dots to how this applies to his work. "I just wish to represent myself. I wish suits to fit me. I don't have to fit a suit. If you give me a suit that's too large, I'm not going to gain weight; I'm going to tailor it to fit me.

"That's a metaphor for how I act and I feel it's therapeutic for your life."

His soft-spoken voice grows more emotional as he warms to his theme.

"I'm not going to force myself into an idea or beat it out of myself. I'm going to show up and represent whatever feelings I have that day, incorporate them into the scene and understand that emotions sometimes fly all over the place." He leans back on the sofa and closes the famous blue eyes.

"I like to be given a space and go wherever I feel I need to go within it."

Somehow, you know he's talking about offscreen as well as on.



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posted by Ally 
- credits:
Toronto Star
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 SEPTEMBER 15th  2005

Kissin’ Cowboy
Exclusive outtakes from our interview with movie star Jake Gyllenhaal—who plays a gay cowboy in Brokeback Mountain.
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Bruce Shenitz OUT MAGAZINE
In the October issue of Out, we mentioned that there would be nude photos from Brokeback Mountain on Out.com. It turns out that these photos were unofficial, and thus cannot be placed on this Web site. We apologize for misleading any of the magazine’s readers.

Two years ago, Out named Jake Gyllenhaal as “Hottest Straight Guy We Wish Was Gay.” Well, he hasn’t jumped the fence, but he is playing a gay cowboy in the movie Brokeback Mountain, which opens in December. We profile Jake in our October issue, and below are exclusive outtakes from the interview, which took place in New York City.

This has been a busy year for you, with three major movies [Proof, Jarhead, and Brokeback Mountain] coming out. What are you doing in New York?

I’ve had the past couple of months off. I finished filming this movie Jarhead, and then I sort of took time off. I’ve been hanging out with my friends. I haven’t really made it out to Martha’s Vineyard that often. I sort of grew up there. All my best friends grew up there. It’s a place we all go, or try to get back to wherever we are. I’ve grown up there.

Is it true you were a lifeguard there?

I was.

Was there ever any drama around that?

No drama at all, besides between the drama amongst the lifeguards. Who got the far end of the beach, the near end of the beach. Who had to take all the posts down at the end of the day, that sort of drama. But, fortunately, not really any saving of lives. But we were prepared. Also, as any good lifeguard would say, I’m glad that it never had to happen.

Okay, now for the Tiger Beat question: What did you wear?

What did I wear? (Laughs) Basically just a bathing suit, but no Speedo or anything like that. No Australian lifeguard bathing suit.

For Jarhead, did you have to do intense physical training?

We did a lot of training, I think for months before, and then we had about a week and a half of boot camp. We had a month of rehearsals and then a week and a half of boot camp. Actually, physically, because I was prepared for it, it didn’t kill me the way I thought it might have. It was more kind of the mental game that was played there.

Did you have an in-your-face drill instructor?

Oh, yeah. We had that whole thing.

And now you’re off to do a movie about the Zodiac killer?

We’ll be in San Francisco for four weeks, and then in L.A. the rest of the time. I play one of the guys who tries to find the killer. I play a cartoonist, actually. The man who wrote the books about Zodiac.

A killer would’ve been an interesting role!

Well, I think the interesting thing about him, and about all the people, is they had to kind of think like the killer in order to find him. I think ultimately that’s what destroyed a lot of lives involved with the case. You have to look at the world the way they look at the world to be a step ahead and catch him. It’s definitely going to venture into a dark side.

Which is not completely unfamiliar…

Uncommon, for me, or unfamiliar. (Laughs). Without a doubt, I’d really like to be doing some sort of romantic comedy or something next year, after this year. To get my head out of…

The dark side?

(Laughs.) Yeah, right.

You have a couple of causes you’re involved in, like the ACLU. You were in their advertising campaign along with other actors.

My mom’s been a member of the ACLU for years. Sometimes I was dragged to all the dinners before I even knew what the ACLU was. A few years ago, they honored my family, and they gave us the Torch of Liberty award, which was supposed to represent people who fought for freedom of speech. I think in a way it was more for my mother than for the entire family. We definitely have been taught that movies are a powerful medium and what you say with them can influence people, and I believe that. And people can think that’s pretentious—and even I think it’s a little pretentious—but I think it’s true. There are movies that have changed me and the way I’ve looked at the world.

Speaking of movies, let’s talk about Brokeback Mountain. What would you say that the movie is “about”?

The movie is about the inability that we have, and ultimately, the ability we have, to love. And that when you love, and when you really, really, truly love, that you fight as hard as you can to hold onto it. And the struggle that people have to do that. I watch movies all the time that are considered to be about love, or a love story, or whatever. A story between a man and a woman has become so cliché. There’s movies you see now like “Man finds girl. Man loses girl. Guy gets girl again.” And the struggle is to find the girl, and we all buy into it. I’ll speak for myself, I buy into it. And I try to make my own love I find in my life after those movies. Love stories have a huge influence on people.

Was there special preparation to play gay love scenes in Brokeback Mountain?

[Director] Ang [Lee] was very respectful of the love scenes that we shot. It was a very intimate process. We didn’t have playbacks, we didn’t have any of that. We were really like working organically. We did one or two takes of a lot of love scenes. There’s something about the awkwardness and the uncomfortableness of it… As an actor I think we need to embrace the times we feel uncomfortable and oftentimes are the best performances that we give.
     In terms of preparation for the movie we went to cowboy boot camp. Heath [Ledger] had actually been riding his whole life. But I hadn’t really ridden that many horses and I wasn’t very good at riding. We had to do that, we were putting up fence posts, we hung out with sheep, we herded sheep for a while, and I had to learn how to lasso and stuff like that. Ultimately, the work I’m really most proud of is that I can lasso, (laughs) which is much harder than it looks. It’s technically a very difficult thing to do, and do it right, and I think it looks pretty damn good in the movie. So I’m excited about that. (Laughs)

During the making of the movie, you were quoted as saying, “Every man goes through a period of thinking they’re attracted to another guy.” That’s not something straight men talk about a whole lot. What prompted that comment?

I don’t even think there’s like a specific situation that I could talk about. Let me give you an example. You can be together with somebody. You can be in a relationship with somebody. And you can say they’re the only person that I want to be with. Like, I love them, I’m in love with them, this is the person I want to spend the rest of my life with. But if you don’t acknowledge that there might be, even if it’s not even a possibility in your mind, if you don’t acknowledge, oh, maybe there’s another girl that I could fall in love with, or maybe I’m going to check people out on the street, you know what I mean. We’re all human beings and we do. If I don’t do that, it won’t feed my relationship and the thing I really love. I guess that’s sort of the idea that I was trying to put out there that, like, I think there are a lot of people who are unsure and…that comment has followed me around.

I bet it has.

For me it’s not a specific thing. It’s more of an idea of…

Possibility? Potentiality?

It’s like it should be a part of sex ed. So someone should say, OK, like, now’s the week where you go around, check this out and that out, what do you find attractive, compare this and that. And I think it would clear a lot of issues up for a lot of people. You know? And if it was just talked about, it would be a different thing. I think sexuality as a young kid is a very complicated thing. For everybody. And it’s mixed up and everybody has preference, straight or gay. You can divide people like that, but within that division are billions of subdivisions. I think people just need to be able to explore and be open. That’s what I talked about Secretary [which stars Jake’s sister, Maggie Gyllenhaal]. Some people are turned on by sado-masochistic things. Others couldn’t even think about that.

So same-sex attraction is not a part of your life and your history.

No. I mean clearly, hopefully, you can see I’m not afraid of it.

You’ve mostly done indie films, but you now have some big Hollywood movies under your belt. Where are you in terms of what you want to be doing? Do you want to be “indie guy,” do you want to be “Hollywood guy”?

I want an audience that wants to see the films that I’m in. I want to be able to have recognition, and have people go, “Oh, his movie’s coming out this weekend, and I want to see it, because I know every time I go into a movie, into a journey, it’s going to be an interesting thing.” There are actors that I look up to that do that. Like Tom Hanks does that. I’m interested in seeing his movies. Regardless. It’s not only to be entertaining. There’s going to be something cool in it. No matter what. There are people who’ve done that for a long time. Paul Newman… Those types of people that I really look up to as men that I want to be like. And that’s the type of career that I want. I want a lot of people to want to see my films. It doesn’t have to be enormous. But I do want that. I put a lot of thought into the movies that I choose and I do. It’s for a reason.

I hear that you’re also fairly active in terms of lines, rewriting.

I think it’s in an actor’s nature.

Are you a pain in the ass on set?

Um. I’m sure there are some people who will tell you I’m a pain in the ass. Definitely. I think the creative process is collaborative. And an actor wants to just feel like, because they’re in a more vulnerable position, they want to feel like they’re part of the process. Ang, like, gave both Heath and me so much room. A lot of room…it was almost like “Action” and it was like “Do what you do,” OK.

What’s next for you?

I’m very proud of the films that I have coming out in the fall. I’m very proud of the people I’ve worked with and the experiences I’ve had. I know somewhere there will be experiences from those experiences, and I’m really excited to go to Venice, and go to Toronto, and enjoy the festivals there, and do press for these movies. And to talk about them and stuff. For me, like, they’re kind of once-in-a-lifetime opportunities in a lot of ways. What’s next for me is really being able to enjoy whatever comes. I’d like to learn how to just be even happier and enjoy everything that’s happened. And hopefully more of it will happen.

- posted by Ally 
- credits:
Out Magazine
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 SEPTEMBER 10th  2005

EXCERPT FROM W MAGAZINE

In a scene destined to be this year’s boldest cinematic taboo-breaker, Ennis del Mar (Ledger) and Jack Twist (Gyllenhaal) surprise themselves one night by consummating their crush during a wordless encounter in their moonlit pup tent. After Jack makes the first move, Ennis, with very little fanfare and even less tenderness, puts Jack on all fours and takes him from behind. Lee recalls that the scene required 13 takes spanning one very long day. “I was very proud of Jake,” he says. “What he does with that scene is very moving, very real, with a lot of emotion and a lot of excitement.”

“Uh, I don’t really remember much of that day,” says Gyllenhaal, laughing. He spent much of it cutting the tension by joking with Ledger about who was going to do what to whom. “It’s one of the riskiest things I’ve done in my career,” Gyllenhaal says, likening the experience to jumping into a very cold lake. “At a certain point you just take a deep breath and dive in. And then the water’s freezing, and you jump out as fast as you can.”



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posted by Ally 
- credits:
TowerLoad
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 SEPTEMBER 10th  20052A2A31

BROKEBACK MOUNTAIN REVIEW

I have to leave for an Ang Lee-James Schamus interview in about 25 minutes, so let's move on to a less anguished confession, which is that Friday's penultimate high, far and away, was seeing Ang Lee's Brokeback Mountain.

I'd been hearing from friends who saw it at Telluride that it's an immensely moving film about love denied, but even with this advance preparation I was a bit surprised at how moved I was by it.

Brokeback Mountain is a tremendously sad film in the best way imaginable. It's not a downer but a profound and very touching tragedy, between which there is a very marked difference.

I will no longer feel comfortable calling this (as everyone else has for the last several months) a "gay cowboy" film because it's an good and profound enough creation that calling it that (a fair if blunt description) is like calling Lawrence of Arabia the story of a gay sadomasochistic British adventurer in white robes on a camel.

I'm saying that the carefully rendered heart of this film, along with the artistic conviction and craftsmanship that have combined to push the essence of it through, are much stronger than the nominal subject matter.

Brokeback Mountain is Ang Lee's most emotionally moving film ever. It is certainly going to be on almost everyone's ten-best list, and it may well be nominated for Best Picture by the Academy. It is that good, that strong.

I never thought I'd say this because I don't tend to like (i.e., respond to with comfort or true openness of feeling) gay-guy love stories, but I felt this one...it got through and I let it in.

And apart from the guiding hand of Ang Lee, this happened to a large extent because of Heath Ledger's tortured inhabiting of Ennis del Mar, the more repressed and tragic of the two lead characters.

Jake Gyllenhaal gives everything he has to the role of Jack Twist, and he nails it as well as anyone could, but Ennis suppresses his feelings more forcefully and fearfully (it's not just his words that sound like they're sitting somewhere deep in his stomach and afraid to come out), and his life is therefore much more screwed up than Jack's as a result, and so he gets you all the more.

Ledger gives the performance of his life in this film. He will win awards, he will get great reviews...his career has been pretty much saved by this film.

And he will almost certainly be nominated for...I don't know what category they're going to put him in but they should push for Best Supporting Actor. Who knows if he'll win or not, but he makes this character and the burden he carries into a searing and poignant thing.


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posted by Ally 
- credits: Hollywood-Elsewhere.Com
-

 SEPTEMBER 2nd  2005

Little-known festival hosts world premieres
Staff and agencies
Friday September 2, 2005

Cash in ... Walk the Line is one of a number of world premieres
gracing the Telluride film festival
 
Nestled in a remote corner of the Canadian Rockies, the Telluride
Film Festival maintained its reputation as the most secretive
festival in North America yesterday as it unveiled a slew of hotly
anticipated titles including at least two key world premieres.
Now in its 32nd year, the event's organisers are nothing if not
dogged in their determination to protect the time-honoured tradition
of keeping the line-up under wraps until the four-day event kicks
off.

And for the many celebrities, film lovers and Hollywood executives
who have made the journey to dose up on fresh mountain air, laid-
back ambiance and cinema magic, this year promises to have been
worth the wait.
Telluride 2005's roster of releases includes unofficial world
premieres of the Johnny Cash biopic Walk The Line starring Joaquin
Phoenix and Reese Witherspoon, and the mystical family drama Bee
Season, which stars Richard Gere and Juliette Binoche.

Both titles are regarded as long-lead Oscar contenders and are
dubbed 'unofficial' world premieres because industry convention only
bestows official launch status upon higher profile festival berths
like Venice, which kicked off this week, and Toronto, which
commences on Thursday.

Other Telluride treats include Neil Jordan's rites of passage drama
Breakfast on Pluto starring Cillian Murphy as a transvestite, Ang
Lee's Brokeback Mountain featuring Heath Ledger and Jake Gyllenhaal
as lovers, the biopic Capote starring Philip Seymour Hoffman as the
writer Truman Capote, and the Dardenne Brothers' Cannes Palme d'Or
winner The Child.


Michael Haneke's Cannes favourite Hidden starring Juliette Binoche
and Daniel Auteuil also features, as do the Palestinian bomber drama
Paradise Now, and Andy Garcia's 16-year labour of love and Cuban
revolution drama The Lost City, which boasts Dustin Hoffman and Bill
Murray. Telluride runs from Sept 2-5


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posted by Ally 
- credits:
Guardian Unlimited Film
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 SEPTEMBER 2nd  2005

Gay cowboy film rides into Venice
By Victoria Lindrea
BBC News entertainment reporter in Venice 
 
Director Ang Lee, joined by stars Heath Ledger and Jake Gyllenhaal, has talked about his new movie Brokeback Mountain ahead of its world premiere at the Venice Film Festival on Friday.

Based on a short story by The Shipping News author E Annie Proulx, it is the tender story of the forbidden love that develops between two male cowboys who meet on a Wyoming ranch in 1963.

Hidden from a society that will not accept it, their relationship grows and deepens over 20 years in a film that is sure to raise eyebrows in the country where it is set.

"There has never been a homosexual cowboy movie," producer James Schamus said.

"We are using the codes and conventions of romance that have always applied to straight people very unapologetically. We don't care if anyone is upset about it."

Lee, however, insisted the gender of his protagonists is immaterial.

"When it comes to love, there is no difference for me between the love I have for my wife and the love a man has for another man."

'Preconceptions'

A low-budget independent production that was filmed in Canada to save money, Brokeback Mountain is a world away from Lee's last feature, comic-book blockbuster The Hulk.

 

But while the rural America of the 1960s may seem alien territory for the Taiwan-born director, Lee believes that "sometimes you see the subtext more clearly as a foreigner".

"What was difficult was pulling down people's preconceptions of the American West, preconceptions that were created by movies," he said.

"I just wanted to make a love story. What's important is that the material touches me at a gut level and I connect with it."

The material also touched a chord with Gyllenhaal and Ledger, who between them have four films screening at this year's festival.

"I've read a lot of books and seen a lot of films about love but they often seem to be recycling themselves," said Ledger.

"I found this to be refreshing - a beautiful representation of love."

Explicit

"With Ang as director, I knew the theme of sexuality would be secondary to the primary theme of love," said co-star Gyllenhaal.

 

"To me that's what is lacking in most love stories I've seen," he said, adding that Brokeback Mountain confronts "a real idea of love, not just a cliché".

The actors share on-screen sex scenes that are depicted with a refreshing frankness - though it has been suggested some of their more explicit moments did not make it into the final cut.

At Thursday's press conference Lee paid tribute to Proulx's "epic short story - a story that moved all of us".

"The difficulties of their circumstances make it more romantic," he said.

"We all have that urge to be romantic. I hope this love story can penetrate whatever differences of opinion people have."

- posted by Ally 
- credits:
BBC NEWS
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 SEPTEMBER 2nd  2005

FILM REVIEW: BROKEBACK MOUNTAIN
Brokeback Mountain
By Ray Bennett

VENICE, Italy (Hollywood Reporter) - Everything you ever imagined about the characters of John Wayne and Montgomery Clift in "Red River" or Joel McCrea and Randolph Scott in "Ride the High Country" is revealed candidly in Ang Lee's "Brokeback Mountain," an epic Western about forbidden love.

Anne Proulx's 1997 short story in the New Yorker has been masterfully expanded by screenwriters Larry McMurtry and Diana Ossana to provide director Lee with his best movie since "Sense and Sensibility" in 1995.

Featuring scenes filmed in the fabulous Canadian Rockies of Alberta and boasting a fine cast topped by Heath Ledger and Jake Gyllenhaal, "Brokeback Mountain" will appeal to moviegoers who enjoy grand filmmaking and poignant love stories, whether gay, hetero or otherwise.

The film, which screened in competition at the Venice International Film Festival, follows two men, Ennis Del Mar (Ledger) and Jack Twist (Gyllenhaal), and their love for each other that in the hide-bound and traditional world of the American West they must keep hidden, fearful not only of scandal but also for their lives.

Ennis and Jack meet in 1963 when they each show up looking for a summer's work herding sheep on Brokeback Mountain, Wyoming, on land owned by no-nonsense rancher Joe Aguirre (Randy Quaid). In order to keep his herd safe, Aguirre is happy to break regulations by requiring one of his men to roam high in the mountains, sleeping rough with no fire, while the other maintains a base camp with a one-man tent throughout the summer and into the fall.

There's nothing romantic about herding huge numbers of four-legged beasts left to range far and wide, and cowboys pretty much have cornered whatever romance there is in rugged outdoor animal husbandry. Riding herd on sheep guaranteed a horseman a hard time in old Westerns, but Ennis and Jack make the most of it, even if their diet is mostly beans.

They don't talk much, but Ennis speaks of being raised by his brother and sister after their parents died in a car crash, and of a woman named Alma he plans to marry. Jack tells of stern parents and working the Texas rodeo circuit. The scenery is breathtakingly gorgeous but their days are hard, with bears and coyotes threatening, and the biting mountain cold, and the two men soon come to rely on each other totally.

One night, Ennis decides to sleep by the fire rather than head off to his lonely post, but in the wee small hours, with the fire dead, he's freezing. Jack yells at him to join him in his tent. A simple human gesture in sleep prompts a frantic coupling that in the cold light of morning each man is quick to dismiss.

The summer ends, and as time goes by Ennis marries Alma (Michelle Williams) and Jack weds Lureen (Anne Hathaway), and they each have kids. The men's shared passion keeps its fire, however, and their affection and need for each other grows. Over the years, they contrive to spend time together back on Brokeback Mountain. Always there is the threat of exposure and the fear it breeds.

Pulitzer Prize-winner McMurtry ("Lonesome Dove") and his recent writing partner Ossana use a large canvas for what is really an intimate story. They develop the secondary characters with great insight and compassion. The women in the lives of Ennis and Jack are given full attention, and the acting, especially by Williams, Hathaway and Kate Mara, as Ennis' daughter Alma at age 19, is deeply affecting.

The fine details of the West are as precise as you would expect from a McMurtry piece, and Lee's adroitness with the excellent cast is on full display, particularly in the brave and moving performances of Ledger and Gyllenhaal.

The dusty towns of Wyoming and Texas are contrasted with the spectacular Canadian Rockies, splendidly filmed by Rodrigo Prieto, and the film benefits enormously from composer Gustavo Santaolalla's melodic and plangent score.

Cast: Ennis Del Mar: Heath Ledger; Jack Twist: Jake Gyllenhaal; Joe Aguirre: Randy Quaid; Alma: Michelle Williams; Lureen Newsome: Anne Hathaway; Alma Jr., age 19: Kate Mara; Alma Jr., age 13: Cheyenne Hill; Cassie: Linda Cardellini; Monroe: Scott Michael Campbell; Fayette Newsome: Mary Liboiron; L.B. Newsome: Graham Beckel; Randall Malone: David Harbour; Lashawn Malone: Anna Faris; Jack's mother: Roberta Maxwell; John Twist: Peter McRobbie.

Director: Ang Lee; Screenplay: Larry McMurtry & Diana Ossana; Based on the short story by: Annie Proulx; Producers: Diana Ossana, James Schamus; Executive producers: William Pohlad, Larry McMurtry, Michael Costigan, Michael Hausman, Alberta Film Entertainment; Director of photography: Rodrigo Prieto; Production designer: Judy Becker; Editors: Geraldine Peroni, Dylan Tichenor; Music: Gustavo Santaolalla.

- posted by Ally 
- credits:
REUTERS
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 SEPTEMBER 1st  2005

Hollywood's young pretenders

Heath Ledger had something of a false start in 2001.
Labelled the year's "hottest new star", he remained firmly on the edges of the A-list.
But four years on he finally seems to be living up to the hype.

The 26-year-old Australian has three films opening at the Venice Film Festival on consecutive days, including the lead role in this year's gala film, Casanova.

It was Ledger's good looks that first won him attention in his 1999 Hollywood debut 10 Things I Hate About You, a modern reworking of Taming of the Shrew.

Part of the Australian new wave in Hollywood, Ledger was spotted by Mel Gibson who cast him as his son Gabriel in the action blockbuster The Patriot in 2000.

Heath Ledger won a following in 2001's A Knight's Tale

But it was his role in the 2001 comedy A Knight's Tale, as a peasant who passes himself off as a knight, that saw press attention build to a clamour.

However poor choices subsequently marred his predicted ascent.

Eager not to be typecast, Ledger deliberately steered away from roles which depended on his looks in favour of character roles.

A small role in Monster's Ball met with some praise, but The Four Feathers, ghoulish horror The Sin Eater and biopic Ned Kelly all met with a hostile reception from critics and filmgoers alike.

For a while Ledger was better known as actress Naomi Watt's other half. The Down Under duo met in 2003, but split up in May last year.

However, directors did not lose sight of the talent that had marked Ledger out in earlier films.

His three movies are all by Oscar-nominated directors: Ang Lee, Terry Gilliam and Lasse Hallstrom of Chocolat fame.

Gilliam's The Brothers Grimm sees Ledger co-starring with Matt Damon in a fictional comedy adventure which turns the author-siblings into 18th Century ghostbusters.

More controversial will be Ang Lee's Brokeback Mountain, which focuses on the relationship that unfolds between two young men, a rodeo cowboy and a ranch hand.

Hallstrom's Casanova takes a light-hearted look at the amorous adventures of the infamous libertine, as he finally falls head over heels in love with a Venetian beauty.

Brokeback Mountain co-stars Jake Gyllenhaal, another young star featuring in a spate of forthcoming films.

Ledger (l) co-stars with Matt Damon in Gilliam's fantasy adventure

At 24, Gyllenhaal is a contemporary of Ledger but his roots are considerably more Hollywood.

Younger brother of Maggie Gyllenhaal (of 2002 indie hit Secretary), Jake grew up in California with his director father and screenwriter mother, and took his first driving lesson from Paul Newman.

Close friends with Natalie Portman and Bryce Dallas Howard and sometime boyfriend of Kirsten Dunst, he is an established figure among the LA "brat pack".

Having made his name in the 2001 cult hit Donnie Darko, he has since starred opposite Jennifer Aniston in indie hit The Good Girl and shared top billing with Dennis Quaid in the 2004 disaster movie The Day After Tomorrow.

The Day After Tomorrow marked Gyllenhaal's first action role

A stint in London's West End in This is our Youth saw Gyllenhaal win outstanding newcomer at the Evening Standard Theatre Awards.

Now Brokeback Mountain and Proof - also showing in competition at the Venice Film Festival - should put him centre-stage for the award season.

Proof sees Gyllenhaal in a high -profile role opposite Gwyneth Paltrow, who reprises her London theatre debut.

Anthony Hopkins and Hope Davis (About Schmidt) also star in the movie directed by Shakespeare in Love's John Madden.

Gyllenhaal also stars in Jarhead, Sam Mendes' film about a US marine in the 1990 Gulf war, due out in November, and recently signed up to make David Fincher's Zodiac, about a serial killer in 1970s San Francisco.

Gyllenhaal plays an unlikely maths student in Proof

But the wonder boys should beware the curse of Jude Law, whose fiancee Sienna Miller incidentally stars opposite Heath Ledger in Casanova.

Law's blockbuster cache of films in 2004, which saw the actor appear in six films in four months, proved the saying "less is more". Law's ubiquity met with mediocre reviews that quickly descended into derision.

Wisely Ledger, who also stars in forthcoming Australian drama Candy, has vowed to take a year off and enjoy fatherhood with his girlfriend and Brokeback Mountain co-star Michelle Williams.

After all, nobody wants to be the butt of Chris Rock's jokes at the Oscars

- posted by Ally 
- credits: BBC NEWS
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